A lengthy but interesting thread popped up on FCP-L. What started out as a simple off-topic post about the new Canon 5D-MkII evolved into tapeless vs tape, digital vs film, and even the evolution of nonlinear editing. At some point I will probably go through and pull out my favorite posts, but for now, I just wanted to get the link up. It’s definitely worth scanning through.
- 35mm Film
- Red One
- Sony EX3
- Panasonic HVX200 (w/ Letus & Redrock Micro adapters)
- Panasonic HPX170
- Panasonic HPX300
- Canon XH-A1
- Canon 5D MkII
- Nikon D90
You can probably skip through the first six minutes or so to get to the footage comparison. Copied & pasted from my IM with Dembro, here are my impressions:
- Film: Awesome.
- Red: I know for a fact Red footage looks great, what did they do ((Not to knock Filmworkers, but some Red footage we had color graded there & down-converted to SD also looked a little off as well. But I’m sure they, like the rest of us, are still working out our Red workflows.))?
- HPX300: DOF is terrible, color is nice.
- HVX200 (Letus Ultimate): Noisy, soft.
- HVX200 (Letus Elite): Same.
- HVX200 (Redrock): Same.
- EX3: Not bad, but something seems strange with the focus.
- HPX170: Okay, but a bit dull.
- XH-A1: Blah.
- 5D MkII: What did they do? That camera is praised for its low light capabilities, but the blacks are completely crushed.
- D90: Flat.
Dembro & I both came to the same conclusions: 1.) Film looks pristine and b.) It looks like Zacuto is really trying to push their low end cameras to people who otherwise wouldn’t have even thought of renting one to begin with.
In all honesty, though, the closing statement is spot on: Any of these cameras in the hands of a skilled professional can produce great results.
A company called Redrock Micro is introducing a DSLR kit to allow for rail mounted lenses and follow focus knobs. At first glance, it looks like a typical rail system, until you notice a 5D Mark II attached. I have to admit, despite my initial skepticism, I’m getting a little more excited to see what people do with a kit like this.
Granted, there are already options on the table to attach 35mm lenses to traditional video cameras, but using a DSLR will make this much more portable (and prevent loss of light through ground glass). I do have to wonder, though. If you’re already going through the trouble of using a system like this, why aren’t you using a camera that offers more control over and less compression of the image?
// Update: This comment on Gizmodo I think further proves my point that this above the head of average consumers:
How are you supposed to hold the thing other than the handle on top?? The back is just four rods sticking out.
Tripod, dolly, shoulder mount, steadycam, etc. A kit like this isn’t meant to be a camcorder.